Resistance, struggle and protest against genocide and incarceration

dc.contributor.authorSibanda, Nkululeko
dc.contributor.authorMoyo, Cletus
dc.date.accessioned2025-10-28T10:20:24Z
dc.date.issued2021
dc.description.abstractABSTRACT This article positions theatre as a site for victims and activists to action their resistance against Gukurahundi related incarceration and human rights abuse perpetrated in the 1980s. Through case studying Talitha Koum and 1983, we examine resistance strategies deployed through theatre performance to expose Gukurahundi violence, invigorate debate and hold public officials accountable. We submit that theatre performance offers a ‘liberation’ of cultural memory from state regimes of censorship and suppression. We observe that performances served as a form of agentic resistance against the original acts of violence perpetrated during the genocide, and the subsequent ‘psychological incarceration’ experienced by victims.
dc.identifier.citationSibanda, N. and Moyo, C. (2021) ‘Resistance, struggle and protest against genocide and incarceration: The case of Talitha Koum – Someone lied! and 1983 – Years Before and After’, Research in Drama Education: The Journal of Applied Theatre and Performance, 26(3), pp. 427–441. Available at: https://doi.org/10.1080/13569783.2021.1935839
dc.identifier.urihttps://doi.org/10.1080/13569783.2021.1935839
dc.identifier.urihttps://ir.lsu.ac.zw/handle/123456789/79
dc.language.isoen
dc.publisherTaylor and Francis
dc.subjectKEYWORDS Gukurahundi
dc.subjectalternative space
dc.subjectTalitha
dc.subject1983
dc.subjectactivism
dc.titleResistance, struggle and protest against genocide and incarceration
dc.title.alternativeThe case of Talitha Koum Someone lied! and 1983 – Years Before and After
dc.typeArticle

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